Categories
Fiber travels Knitting

Red soap dream

Rose City Fiber Crawl 2012 has been exhausting and enlightening. My find so far has been Abstract Fiber red roving in 50% silk and 50% merino wool. My red soap dream inspired this red longing. I have already posted my cuprite stone. A new weaving?

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Categories
Harp

The Silkie

I submitted a recording of “The Silkie” on harp.   I hadn’t heard back and was fretting over the quality though the response was quit good. My mentor responded to my fretting in a really lovely way:

“well…yes…next time please do return to same melody as you start with in left hand as well
and some suggestions are…..instead of “room for improvement” consider creation is always pushing us to keep expanding. Because the gift of your music, the way she is right now, is perfect!! ….you might play with noticing when you use the words “I am thinking” because for me usually that means I am headed for trouble!……are you at all challenged to accept the healing gift of your music exactly as she is????? maybe not. Also, when you mention feeling frozen around your Presence….remember it is not You who is frozen but your ego-mind state who likes (in all of us) to hang out evaluate, scare, judge etc….our ego mind notices when we get connected to Source as I heard you and your music to be, she really has no control and once our awareness sees this she (our ego -mind) is done in….well call me if you wish…this is written in great haste with deference to my dear computer!!”

Categories
Weaving travels

Cuprite weaving

Some stones call for a weaving.  This cuprite mineral stone has chosen a lovely yarn on the left, Mushishi which is 95% wool and 5% silk.  There is enough yarn here for a complete scarf or table runner to be woven at 7.5 dpi on a knitter’s loom.

Cuprite

Cuprite is a copper oxide mineral. The keywords are: life force, vitality, physical energy, courage,healing, and Divine feminine1. The affirmation with this stone is: “The furnace of my body blazes with energy and vitality, and for this I honor the feminine Divine that is my source.”2

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1 and 2 above are taken from The Book of Stones by Robert Simmons and Naisha Ahsian.

I found the above stone at The Fossil Cartel in Portland, Oregon. I also found chrysocolla with cuprite which is described below from the same book. The manager at The Fossil Cartel helped me with this. Such a lovely person. She gave me a hug when she saw that the information that she gave me touched me.

First the stone and then the description.

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Chrysocolla has the following keywords from the above mentioned Robert Simmons book:  communication, expression of the sacred, goddess energies, gentleness and power. Element: water. Chakras: throat, heart, root.

This stone says it all. Chrysocolla with cuprite “continues an opening to powerful energies of life force and vitality with awareness of the elements, of higher consciousness and clear communication of one’s inner wisdom.” pg. 115.

Lovely stone, a wake up stone.

Categories
Harp

Silkies, Red Soap

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Soon after buying red soap that had been given to me in a dream by my harp teacher Christina Tourin, I was walking along Hawthorne St. in SE Portland, Oregon and passed three young women talking amongst themselves. One was talking about the mythology of silkies which are seals who shed their coats to return to land as females. Something like that.

As I returned to my car, the lights went on as that is the song I am working on to submit for the mixolydian mode for the International Harp Therapy Progam. The song was written by Christina Tourin and is called, “The Silkie”. I hadn’t been able to submit the song because I couldn’t get the feel of it.

What are the chances of the feeling of a song coming from a random conversation on the streets of Portland. And who were those silkies who were speaking like humans at just the right moment.

Divine inspiration or divine intervention, whichever, I am so grateful!

Categories
Mbira travels

Dambatsoko-2012

This is the year of dambatsoko mbira. Fradreck and Sam Mujuru are coming to teach through the summer.

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Categories
Mbira travels

Dzivaguru

Another photo from Dzivaguru in Zimbabwe.  Cameras only allowed outside the village on this enormous rock.  We played mbira in a hut and watched the drummers drum and the dancers including “old women” like myself.  An “old woman” came into the hut where we played mbira and danced for us.  We were able later to visit the spirit medium for the Mhondoro spirits.  He gave us individual readings as Patience and Endy translated. 

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Categories
Harp

Ballad of the Harp-Weaver

Someone posted the Ballad of the Harp-Weaver by Edna St. Vincent Millay on the International Harp Therapy Forum.  The poem is very harsh in some ways but very connected to the feeling I now have of a mission as a harp weaver.  Weaving the notes in the phrases with my fingers on the strings.  Weaving a new reality worthy of the king’s son.

Categories
Harp Weaving travels

Ballad of the Harp-Weaver

The Ballad Of The Harp-Weaver


 
 
 
“Son,” said my mother,
When I was knee-high,
“you’ve need of clothes to cover you,
and not a rag have I.”There’s nothing in the house
To make a boy breeches,
Nor shears to cut a cloth with,
Nor thread to take stitches.”There’s nothing in the house
But a loaf-end of rye,
And a harp with a woman’s head
Nobody will buy,”
And she began to cry.

That was in the early fall.
When came the late fall,
“Son,” she said, “the sight of you
Makes your mother’s blood crawl,—

“Little skinny shoulder-blades
Sticking through your clothes!
And where you’ll get a jacket from
God above knows.

“It’s lucky for me, lad,
Your daddy’s in the ground,
And can’t see the way I let
His son go around!”
And she made a queer sound.

That was in the late fall.
When the winter came,
I’d not a pair of breeches
Nor a shirt to my name.

I couldn’t go to school,
Or out of doors to play.
And all the other little boys
Passed our way.

“Son,” said my mother,
“Come, climb into my lap,
And I’ll chafe your little bones
While you take a nap.”

And, oh, but we were silly
For half and hour or more,
Me with my long legs,
Dragging on the floor,

A-rock-rock-rocking
To a mother-goose rhyme!
Oh, but we were happy
For half an hour’s time!

But there was I, a great boy,
And what would folks say
To hear my mother singing me
To sleep all day,
In such a daft way?

Men say the winter
Was bad that year;
Fuel was scarce,
And food was dear.

A wind with a wolf’s head
Howled about our door,
And we burned up the chairs
And sat upon the floor.

All that was left us
Was a chair we couldn’t break,
And the harp with a woman’s head
Nobody would take,
For song or pity’s sake.

The night before Christmas
I cried with cold,
I cried myself to sleep
Like a two-year old.

And in the deep night
I felt my mother rise,
And stare down upon me
With love in her eyes.

I saw my mother sitting
On the one good chair,
A light falling on her
From I couldn’t tell where.

Looking nineteen,
And not a day older,
And the harp with a woman’s head
Leaned against her shoulder.

Her thin fingers, moving
In the thin, tall strings,
Were weav-weav-weaving
Wonderful things.

Many bright threads,
From where I couldn’t see,
Were running through the harp-strings
Rapidly,

And gold threads whistling
Through my mother’s hand.
I saw the web grow,
And the pattern expand.

She wove a child’s jacket,
And when it was done
She laid it on the floor
And wove another one.

She wove a red cloak
So regal to see,
“She’s made it for a king’s son,”
I said, “and not for me.”
But I knew it was for me.

She wove a pair of breeches
Quicker than that!
She wove a pair of boots
And a little cocked hat.

She wove a pair of mittens,
Shw wove a little blouse,
She wove all night
In the still, cold house.

She sang as she worked,
And the harp-strings spoke;
Her voice never faltered,
And the thread never broke,
And when I awoke,—

There sat my mother
With the harp against her shoulder,
Looking nineteeen,
And not a day older,

A smile about her lips,
And a light about her head,
And her hands in the harp-strings
Frozen dead.

And piled beside her
And toppling to the skies,
Were the clothes of a king’s son,
Just my size.

Edna St. Vincent Millay

 

 

Categories
4 shaft Weaving travels

4 shaft weaving

Warping of the loom.

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And the weaving begins:

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