Categories
Harp

My own Amazing Mazie

Now, my journey has expanded. My mbira travels to Africa just before I came home to the harp are once again calling to play those mbira notes that make one’s spirits dance.

Through a few journeys that I will relay in a different time, I came to the poem, “Ballad of the Harp-Weaver” by Edna St. Vincent Millay. I will add the poem later. That poem combines two of my passions, weaving and playing in a mythical way.

I passed on Amazing Mazie to the Cuddles project in southern California. They help mother’s who might abandon a baby. The harp has a permanent home. Christine had made the connection so the harp could have a permanent home.

I bought my own Amazing Mazie, a flatsicle from the maker of harpsicles. I was surprised that the quality was good and the company very good.. Associated with my Christine, my skype teacher, and Christina Tourin of IHTP.

My harp needs a name. She looks exactly like Amazing Mazie with sharping levers.

She appears in this sequence of photos as I start weaving a path on a 4 shaft loom in the color that came to me in a dream. As you gather, more is going on in the invisible realm than while I was in Ashland. More dreams, more Reiki, more grids with stones of striking color and energy, and more fiber to include fiber optic cable.

I will end for the moment with these photos. This a mundane account of my harp travels so far but I trust that they are only beginning. So more will follow.

20120212-113712.jpg

Categories
Harp

Amazing Mazie Harp

Portland brought me back to harp. I took some lessons around the Cantigas de Santa Maria. I wanted to learn as I learned mbira, in the oral tradition. The teacher plays and then you play by watching their hands. I was loving this way of learning, picking up songs by watching the teacher’s hands.

I learned several songs quickly but missed something in just perfecting technique. Wanting something deeper in the resonating tones so once again put away the harp for a few months.

Then some miracle happened as here again the harp was speaking to me when I got near it. I started looking at the International Harp Program and linked to a skype teacher who was someone I had met 13 years earlier. She single handedly got me going again through positive reinforcement. Improvisation from the Christina Tourin DVD’s and Christine on skype having each note feel like a snowflake or juicy apple, brought me into the realm I was longing to enter: the realm of Frankincense and Myrrh, the realm of heart.

My mother broke her hip in Nov of 2011. Christine hooked me up with a healing harp, a lap harp that was purchased by a grandmother to play for her granddaughter and then donated to Christine for visiting anyone with a heart need. The harp traveled across from the border between Idaho and Washington to Woodland Washington. I drove to pick it up and started working with this harp called Amazing Mazie. I didn’t play the harp for my mom but played it for myself and cared for it as I needed to care for myself after several years of caregiving in Ashland.

Amazing Mazie brought me a reminder of vibrational medicine, the vibrating string across one’s heart is so comforting.

20120212-112600.jpg

Amazing Mazie is the harp to the left. Getting ready for a skype lesson with Christine Magnussen.

Categories
Harp

Harp Therapy

The idea of the harp in connection to some higher realm started the exploration of harp therapy. I bought the Cradle of Sound by Christina Tourin. I bought the 3 disk DVD of Therapeutic Harp by Williams. As I played, in the lower level of my parents house, the caregiver we had hired to take care of my dad who fell earlier in the year and broke his hip heard me playing harp and decided to buy one. While she was there, she bought a basic one and then upgraded to a dusty strings harp. She played every day though she had not played any music and struggled with the notation and with tuning. Still she braved taking the harp to a gathering and played along with a CD, kind of like lipsyncing only handsyncing.

This should have made me braver in my harp playing, seeing how willing she was to reach out into the world and bring even a few notes to better the environment where she was a caregiver.

Though my notes had inspired her, I failed the inspiration test at that point. I put the harp aside. To be revisited.

This was a dark spell where my father was failing and requiring 24 hours care. He had dementia, a catheter, a fragile heart, was a fall risk and wouldn’t stay down. My mother responded to the stress with her own dementia and feeling that people were bringing things and putting them in her closet and taking her money and jewels, etc. Throwing things.

I was the key person in the daily what should we do with the folks and how to keep them safe. My brothers came and helped so much. Truly I thought I was there to help my daughter finish college with a small child and so when she graduated in June of 2010 and I moved back to Portland.

Categories
Harp

Historical Harp Society

Now I had a “real” harp and an authentic harp teacher (who was very good).

20120212-105250.jpg

Her hand position totally agreed with Licia’s, thumbs up.

While working the basics, my mbira partner brought over yet another harp that he had built himself from a kit. It is a troubadour harp used in the middle ages. He introduced me to the Cantigas de Santa Maria, songs in praise of the Virgin Mary from a fascinating period of European history, I will digress at a different time

He was house sitting and I got to visit a 15th century harp. This historical episode led me to join the historical harp society and to long for a harp with bray pins (another story, another photo later on).

20120212-105648.jpg

Above is the troubadour harp. Below, the 15th century Spanish harp.

20120212-105746.jpg

This was an entry point to historical harp interest which has come forward with me to be explored in this blog at a later time.

What was interesting to me and later cost me a teacher was a chapter on playing historical harp from the book on Performance of Medieval music which related the playing of the harp to mbira as sorted out in the book, Soul of the Mbira. The harp was a connection to the spiritual realm as is the mbira.

Categories
Harp

Harp knocks

Before launching what is NOW happening in my harp world, I regress to 2009 when I took a trip to Portland to go to a workshop but my ailing dog at the last minute decided to go (his caretaker vanished). On the way to Portland, I heard from my mbira friend, Licia. She called and asked for Reiki. I mentioned harp. The rest is history. Oh, and no Jungian workshop for me. Enter harp.

Licia cautioned me on forming the correct hand position (see photo).

20120212-104712.jpg

This seems simple but has proven to be always a work in progress. Licia had two small harps, two lever harps, and 2 concert harps. Plays beautifully. Here are the first two. I mention them and show a photo because my first harp was a cardboard harp. Nice sound.

20120212-104912.jpg

I bought a cardboard harp from Arpeggio harps and in the next 2 months traded it up for a Dusty Strings as you have seen in my first post.

Categories
Harp

Dusty Strings harp

Just learned my first iPad WordPress lesson. Publish the post before adding photo.

Chapter 1: Harper Weaver

Several teachers an a couple of harps later, I am learning songs in the IHTP program with Christina Tourin. The harp has always been in my mind since playing the strings of our baby grand piano growing up and watching concert harps on television and Celtic harps as well.

To play now is a struggle and a gift. My first teacher was instrumental in setting a good hand position and transitioning me from the cardboard harp I started on. Kathleen Staub at Arpeggio harps allowed me to trade my cardboard harp for a Dusty Strings 34 string Ravenna. I will add a photo after posting this.

The problem with getting a real harp was that I felt the need to be a real player. I imagine my dad standing over me counting, 1, 2, 3 now do it again. My first teacher said I was a natural but I didn’t believe her, I felt doomed to the level of fledgling which was even above the level that I thought I could accomplish which you might guess is the key wrong word in supporting one’s quest (accomplish).

20120212-101516.jpg

The gift these last years in moving back to Portland and going through yet another teacher, finding a skype teacher, Christine Magnussen who simply says to pay attention to what you are doing right. Break through!

Categories
Birds

Crows calling

Ten crows called to each other this morning to remember the magic and I heard them.

photo-5
memo click on memo to hear the crows calling.

Categories
Navajo Weaving Journey Weaving travels

Spider Woman

After many encounters with spiders in my temporary housing in Ashland, Oregon, a brother, Kevin, suggested that I look at my fear as a source of power.  My interest in weaving and love of the Southwest combined in my search for the seat of Spider Woman’s power.

Over the last 4 years, the interest in Navajo weaving has come up again and again.  Two years ago I tried to enroll in Sarah Natani’s weaving course at Table Mesa, New Mexico.  The course was filled.  Meanwhile, I met Kathy at Llamas and Llambs in Jacksonville, Oregon.

Kathy recommended two books, Spider Woman: A Story of Navajo Weavers and Chanters by Gladys A. Reichard and Navajo Weaving Way: The Path from Fleece to Rug by Noel Bennett and Tiana Bighorse.  I purchased Navajo Weaving Way as it was readily available.  Also the video set, Navajo Weaving:  Sharing the Technique and Tradition by Angie Walker Maloney (assisted by Susanne Clark) which I found at Webster’s Yarn in Ashland, Oregon.

A friend gave me a loom and when I went to pick it up where it was stored, I was fortunate to met, Audrey Moore who helped found the Damascus Pioneer School which is now Damascus Fiber Arts School.  Her weaving which included the spider woman image, inspired me.

When considering my move back to Portland, I thought surely I would go straight to the Damascus Fiber Arts center to register for a class.  Surely this will happen, meanwhile, while visiting Llamas and Llambs, Kathy mentioned that she had had a visitor who had information about a class being organized in Carlton, Oregon featuring Sarah Natani.  Kathy had some serendipitous events going on herself as her original Navajo Weaving teacher had just come through the store.

Kathy sent me the email of information for the Carlton class organized by Lora Pirtle Rinke.  Lora answered immediately through facebook that there was indeed room in the class in Carlton.

Meanwhile, I contacted Kathy Burnham who was organizing the class with Sarah Natani on the reservation and she said, “yes there is room”.

So in the course of two days, I had signed up for two classes.  Lora had posted that it would be possible to get hand carved forks and battens from Al Snipes.  He responded to my e-mail that he didn’t do retail but would make a batten as part of a batch he was sending out and mail it to me.  He followed up with a phone call.

At this moment, I was charmed by the community surrounding Navajo Weaving.  This kind of care in providing a weaving tool seemed way out of the ordinary.  I have since received my batten that has a smooth, pleasing touch.  Beautifully crafted.

al-snipes-batten1

Over lunch, I read Spider Woman a bit a day, having now finished the book, I marvel at the intelligence and unique quality of the writing of Gladys A. Reichard. I had previously read her book, Navajo Religion. This book provided my first glimpse into the complexities of the Navajo way of life, a complexity and commitment to cosmology that Ms. Reichard suggested lead to the survival and flourishing of the Navajo as a people.  Impressive.  Intriguing.

Cosmology was a challenge question presented to a small group of practicing masters of the Usui System of Natural healing.  The question was, do you have to know your cosmology?  Is it important. Yes, it seems that it is.

Without digressing, that question has lead me to this moment. Where lies Spider Woman in my cosmology and what is it that I need to know here?

Categories
Mbira travels

Dzivaguru Village

zimbabwe_2009_593_1000

At the end of an amazing trip to Dzivaguru. The young drummers and dancers are below. Those of us who traveled to study mbira together in the middle above with Erica, Patience, and Denver. (Click on photo to make it smaller or larger).   Blog is in progress..I will be rewriting and updating as I get reentered into daily life.

 

Categories
Mbira travels

Updating blog

I have put in some events without writing much about them..notes really. I am in the process of going back and filling in days, events, and bits of reflection. Now that I am home, I see that I tended to write when I was a little stressed which makes some entries seem not as much of a celebration as I might have been experiencing.

I told Patience that I was nervous during our visit to Dzivaguru. She said, you are always nervous. This could be true. I don’t know if I will ever be able to convey the experience of the Dzivaguru village. Playing mbira for a village of spirit mediums with little chicks running through the hut and the enchantment of older women dancers with radiant smiles and sadza eaten from wooden plates with our hands in a kitchen with an open pit fire are only part of an experience that will be with me forever. Our 3 day prayer when doing back to Bushbaby using the blessed tobacco was a very rich ending to the 14 days of mbira playing. I will try to write more about this but the experience was bigger than I understand.